January's listings for Hurst Village Cinema

By Mike Thatcher

Thanks for your continued support of the village cinema and I hope you find something in January’s films to suit you.

We start on Thursday 11th at 8pm with Freemont (12A, 91 mins). Donya, a former translator for the US in Afghanistan, now works for a Chinese fortune cookie factory in San Francisco. In a moment of sudden revelation, she decides to send out a special message in a cookie, which is not without its consequences. It contains perhaps one of the best off-screen sound effects I have ever heard (you’ll know it when you hear it) and Gregg Turkington portrays possibly my favourite movie shrink ever. A charming, wry, thoughtful and funny film.

Then on Friday 26th at 8pm we screen Shiva Baby (15, 77 mins). ‘Painfully funny’ is all too often used for comedies but it absolutely applies to this film. College student Danielle attends a Jewish funeral service with her family and is seemingly judged whichever room she enters; whilst being outshone by her ex-girlfriend she also comes face-to-face with her sugar daddy and his family. Each room brings a new set of unpleasantries which ramps up our levels of buttock clenching. Shiva Baby is a comedy that feels both universally relatable in its depiction of awkward family dynamics and very specific to Danielle’s experience of watching her sex life collide with her religious community. It is no surprise to learn that it is largely autobiographical for first-time director Emma Seligman, as it feels very personal and real; a cultural comedy that is imminently relatable to everyone. And very funny.

Finally, we show The Great Escaper (12A, 97 mins), starring Michael Caine, on Sunday 28th at 3pm. Based on a true story about pensioner Bernard Jordan who, in 2014, absconded from his care home in Hove to attend an event in France marking the 70th anniversary of the D-Day landings. It was a story that captured the imagination of the world; Bernie seemed to embody the defiant, ‘can-do’ spirit of a generation that was fast disappearing. Glenda Jackson’s last performance before she died and Michael Caine hinted it would also be his last offering and they are both superb in this. A moving and surprisingly nuanced drama offering far more than flag-waving nostalgia. On paper The Great Escaper looks like the softest of tearjerkers, but Caine’s performance and an unsentimental script, lends it unexpected gravitas.

Tickets from www.hurstfilms.com or at Mishon Mackay.

Hurst Village Cinema through September 2023

By Mike Thatcher

I’m delighted to report that over the summer, the everamazing Ivor has installed a new, laser projector at the Players, which not only looks fantastic, but means I can relax about bulbs blowing mid-film! As always, we are screening four films as part of the Hurst Festival, one in the New Inn garden and the others at the Players.

Wednesday 20th September: Dirty Dancing (PG) – This year’s film in the New Inn garden: Baby (Jennifer Grey) is one listless summer away from the Peace Corps. Hoping to enjoy her youth while it lasts, she’s disappointed when her summer plans deposit her at a sleepy resort in the Catskills with her parents. Her luck turns around, however, when the resort’s dance instructor, Johnny (Patrick Swayze), enlists Baby as his new partner, and the two fall in love. Baby’s father forbids her from seeing Johnny, but she’s determined to help him perform the last big dance of the summer. An 80s’ classic and well worth a re-visit in the unique setting of the New Inn garden.

Tuesday 26th September: Fargo (18) – Perhaps the Cohen brothers’ finest film, it is a dark, quirky and violent black comedy set in the bleak landscape of Minnesota. Brilliant performances from Francis McDormand and William H Macy, this turned the rules of the true-crime film on its head. It spawned the recent series with Martin Freeman.

Wednesday 27th September: The Day of the Jackal (15) – A chance to see this absolute classic on the big screen as director Fred Zinnemann delivers a masterclass in tension and suspense. An underground group pays for the services of crack assassin Edward Fox ‘The Jackal’ to kill President de Gaulle; what follows is a tense cat-and-mouse thriller chase across France, leading to thrilling climax.

Thursday 28th September: A Serial Killer’s Guide to Life (15) – Includes a Q&A with writer/director Staten Cousins Roe and lead actress Poppy Roe, who are incidentally both Hurst residents. A very British black comedy it features Katie Brayben as a self-help addict who goes on a road trip with a life coach (Roe) who just happens to be a serial killer. Filmed locally, it’s a deadly and comic skewering of the ‘wellness’ culture and has been described as a cross between Sightseers and Thelma and Louise.

All tickets can be bought via the Festival website (www.hurstfestival.org).

Cinema ‘not dead yet’!

Hurst Village Cinema

By David Saitch

The death of cinema has been predicted on many occasions; the invention of television was to be the first nail in its coffin; VCR signed its death warrant; HD Blu-ray and home cinema equipment would surely see cinema consigned to a cold, dark grave; streaming was the final executioner that would put cinema out of its misery. But, in all cases, rather like Mark Twain, the death of cinema has been greatly exaggerated. Cinema has survived all these threats along with wars and plagues of the past. The threat that was identified in the End of Cinema column last month was the closing of the theatrical window; that is, the period where films can only be shown in cinemas before being released for home viewing. Would you bother to go and see a film at the cinema if it was already available for home viewing, was the question posed, and the assumed answer was ‘No’. But, interestingly, we do have some evidence on this. Curzon Cinemas has been operating a streaming service for a number of years, where they release films on to their streaming platform on the same day that they release it in cinemas, but, crucially, this doesn’t seem to have affected audience numbers. Curzon cinema screenings are still full. I use Curzon Home Cinema and I am very fortunate to have an excellent home cinema set up, but I am still more likely to go to see the films at the cinema. Watching films exclusively on my home cinema over the last six months has shown me, if I didn’t know already, that going to the cinema is about more than just seeing the film, it is about the complete experience of going out, socialising, watching a film on the biggest screen possible and with the best sound, as a collective experience with an audience, as it is meant to be seen, without those dreaded words ‘Can you pause it while I go to the loo’. Home cinema will always be there to watch those films I didn’t manage to see at the cinema or to rewatch films. Yes, with the ever expanding plethora of streaming services, it is likely that viewing habits will change over the coming years, but the ‘end of cinema’? I wouldn’t bet on it.

First published in September’s Hurst Life magazine.

The shining lights of village cinema

By Mike Thatcher

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Hurst Village Cinema gets Commendations

I gave far too much thought about which jumper I should wear to Sheffield. On the one hand I had worn the same one four years running and we had always come away with some awards. On the other hand people might think it was the only one I owned. Boldly, I chose a different jumper, albeit essentially the same colour.

Once again we had been nominated in two categories for the annual Film Society of the Year awards in Sheffield, rewarding the hard work which Manon and David Saitch put into running the Hurst Village Cinema.

I travelled up early on Friday and on arrival watched two films which are well worth a viewing; American Animals and The Miseducation of Cameron Post. I met up with David later, who was looking nervously over his shoulder for Newcastle Film Society who seem to have anointed him as their designated drinking buddy. As a group they were later to be awarded the Roebuck Cup, leaving David to muse that his shoes were too big to be filled by just one person.

David, with less than eight hours of his reign as Roebuck Cup winner left, had been asked to be on the Community Cinema Review of the Year panel entitled ‘Challenges and Success’. Unfortunately, going after Liz from Leigh Film Society meant much had already been said. What did emerge, however, was that Hurst Village Cinema is almost unique in having only three people at the helm. Other organisations have up to 30 volunteers and their scope and brief is much wider than ours. “It makes everything you do more amazing,” commented the Deborah Parker, the Chief Exective of Cinema for All.

The scene maybe changing slightly, with the emphasis now on the bigger organisation, but, as always, I came away proud to be a part of Hurst Village Cinema, as we picked up two Commendations at the awards. The last word from Deborah: “You guys at Hurst Village Cinema are a shining light. You exploded onto the scene in such a fully formed way that it seemed as though you had been there for decades, you started helping other film societies network straight away, you’ve helped out other film societies and us without a second thought; you’ve really inspired people.”